Leonardo Da Vinci, a noted Italian artist painted the Last Supper; and the time engaged for it's completion was seven years. The figures representing the twelve Apostles and Christ himself were painted from living persons. The life-model for the painting of the figure of Jesus was chosen first.
When it was decided that Da Vinci would paint this great picture, hundreds and hundreds of young men were carefully viewed in an endeavor to find a face and personality exhibiting innocence and beauty, free from the scars and signs of dissipation caused by sin.
Finally, after weeks of laborious search, a young man nineteen years of age, was selected as a model for the portrayal of Christ. For six months DaVinci worked on the production of this leading character of his famous painting.
During the next six years DaVinci continued his labors on this sublime work of art. One by one fitting persons were chosen to represent each of the eleven Apostles; space being left for the painting of the figure representing Judas Iscariot as the final task of this masterpiece. This was the Apostle, you remember, who betrayed his Lord for thirty pieces of silver.
For weeks Da Vinci searched for a man with a hard, callous face, with a countenance marked by scars of avarice, deceit, hypocrisy, and crime; a face that would delineate a character who would betray his best friend.
After many discouraging experiences in searching for the type of person required to represent Judas, word came to Da Vinci that a man whose appearance fully met his requirements had been found in a dungeon in Rome, sentenced to die for a life of crime and murder.
Da Vinci made the trip to Rome at once, and this man was brought out from his imprisonment in the dungeon and led out into the light of the sun. There DaVinci saw before him a dark, swarthy man; his long shaggy and unkempt hair sprawled over his face, which betrayed a character of viciousness and complete ruin. At last the famous painter had found the person he wanted to represent the character of Judas in his painting.
By special permission from the king, this prisoner was carried to Milan where the picture was being painted. For months he sat before Da Vinci at appointed hours each day as the gifted artist diligently continued his task of transmitting, to his painting, this base character representing the traitor and betrayer of our Savior. As he finished his last stroke, he turned to the guards and said, 'I have finished. You may take the prisoner away.'
As the guards were leading their prisoner away, he suddenly broke loose from their control and rushed up to Da Vinci, crying as he did so, 'O, Da Vinci, look at me! Do you not know who I am?'
Da Vinci, with the trained eyes of a great character student, carefully scrutinized the man upon whose face he had constantly gazed for six months and replied, 'No, I have never seen you in my life until you were brought before me out of the dungeon in Rome.'
Then, lifting his eyes toward heaven, the prisoner said, 'Oh, God, have I fallen so low?' Then turning his face to the painter he cried, 'Leonardo DaVinci! Look at me again for I am the same man you painted just seven years ago as the figure of Christ.'
This is the true story of the painting of The Last Supper. It teaches so strongly the lesson of the effects of right or wrong thinking on the life of an individual. Here was a young man whose character was so pure, unspoiled by the sins of the world, that he represented a countenance of innocence and beauty fit to be used for the painting of a representation of Christ.
But within seven years, following the thoughts of sin and a life of crime, he was changed into a perfect picture of the most traitorous character ever known in the history of the world. Dear friends, World and its schemes can spoil us like this. It can take out the very expression of Christ from our face, and even from our life. Let us not be conformed to this world. Walk in Spirit, live in Spirit.
A rule I have had for years is to treat the Lord Christ as a personal friend. When I go away from home I bid goodbye; I bid my friends and acquaintances goodbye, but I never heard of a poor backslider going down on his knees and saying, 'I have been near you for ten years; your service has become tedious and monotonous; I have come to bid you farewell. Goodbye, Lord Christ.' I never heard of one doing this. I will tell you how they go: they just run away!
If the spirit of prayer departs, it is a sure indication of a backslidden heart, for while the first love of a Christian continues he is sure to be drawn by the Holy Spirit to wrestle much in prayer.
When it was decided that Da Vinci would paint this great picture, hundreds and hundreds of young men were carefully viewed in an endeavor to find a face and personality exhibiting innocence and beauty, free from the scars and signs of dissipation caused by sin.
Finally, after weeks of laborious search, a young man nineteen years of age, was selected as a model for the portrayal of Christ. For six months DaVinci worked on the production of this leading character of his famous painting.
During the next six years DaVinci continued his labors on this sublime work of art. One by one fitting persons were chosen to represent each of the eleven Apostles; space being left for the painting of the figure representing Judas Iscariot as the final task of this masterpiece. This was the Apostle, you remember, who betrayed his Lord for thirty pieces of silver.
For weeks Da Vinci searched for a man with a hard, callous face, with a countenance marked by scars of avarice, deceit, hypocrisy, and crime; a face that would delineate a character who would betray his best friend.
After many discouraging experiences in searching for the type of person required to represent Judas, word came to Da Vinci that a man whose appearance fully met his requirements had been found in a dungeon in Rome, sentenced to die for a life of crime and murder.
Da Vinci made the trip to Rome at once, and this man was brought out from his imprisonment in the dungeon and led out into the light of the sun. There DaVinci saw before him a dark, swarthy man; his long shaggy and unkempt hair sprawled over his face, which betrayed a character of viciousness and complete ruin. At last the famous painter had found the person he wanted to represent the character of Judas in his painting.
By special permission from the king, this prisoner was carried to Milan where the picture was being painted. For months he sat before Da Vinci at appointed hours each day as the gifted artist diligently continued his task of transmitting, to his painting, this base character representing the traitor and betrayer of our Savior. As he finished his last stroke, he turned to the guards and said, 'I have finished. You may take the prisoner away.'
As the guards were leading their prisoner away, he suddenly broke loose from their control and rushed up to Da Vinci, crying as he did so, 'O, Da Vinci, look at me! Do you not know who I am?'
Da Vinci, with the trained eyes of a great character student, carefully scrutinized the man upon whose face he had constantly gazed for six months and replied, 'No, I have never seen you in my life until you were brought before me out of the dungeon in Rome.'
Then, lifting his eyes toward heaven, the prisoner said, 'Oh, God, have I fallen so low?' Then turning his face to the painter he cried, 'Leonardo DaVinci! Look at me again for I am the same man you painted just seven years ago as the figure of Christ.'
This is the true story of the painting of The Last Supper. It teaches so strongly the lesson of the effects of right or wrong thinking on the life of an individual. Here was a young man whose character was so pure, unspoiled by the sins of the world, that he represented a countenance of innocence and beauty fit to be used for the painting of a representation of Christ.
But within seven years, following the thoughts of sin and a life of crime, he was changed into a perfect picture of the most traitorous character ever known in the history of the world. Dear friends, World and its schemes can spoil us like this. It can take out the very expression of Christ from our face, and even from our life. Let us not be conformed to this world. Walk in Spirit, live in Spirit.
A rule I have had for years is to treat the Lord Christ as a personal friend. When I go away from home I bid goodbye; I bid my friends and acquaintances goodbye, but I never heard of a poor backslider going down on his knees and saying, 'I have been near you for ten years; your service has become tedious and monotonous; I have come to bid you farewell. Goodbye, Lord Christ.' I never heard of one doing this. I will tell you how they go: they just run away!
If the spirit of prayer departs, it is a sure indication of a backslidden heart, for while the first love of a Christian continues he is sure to be drawn by the Holy Spirit to wrestle much in prayer.
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When I say..."I am a Christian" I'm not shouting "I am saved" I'm whispering "I get lost!" "That is why I chose this way."
When I say..."I am a Christian" I don't speak of this with pride. I'm confessing that I stumble and need someone to be my guide.
When I say..."I am a Christian" I'm not trying to be strong. I'm professing that I'm weak and pray for strength to carry on.
When I say..."I am a Christian" I'm not bragging of success. I'm admitting I have failed and cannot ever pay the debt.
When I say..."I am a Christian" I'm not claiming to be perfect, my flaws are too visible but God believes I'm worth it.
When I say..."I am a Christian" I still feel the sting of pain, I have my share of heartaches which is why I seek His name.
When I say..."I am a Christian" I do not wish to judge. I have no authority. I only know I'm loved.
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For the Lord does not want the sinner to die, but to return and live.
There is still time for endurance, time for patience, time for healing, time for change.
Have you slipped? Rise up. Have you sinned? Cease.
Do not stand among sinners, but leap aside.
For when you turn back and weep, then you will be saved.
There is still time for endurance, time for patience, time for healing, time for change.
Have you slipped? Rise up. Have you sinned? Cease.
Do not stand among sinners, but leap aside.
For when you turn back and weep, then you will be saved.
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Source: Inspirit -_- Webdigi Newsletter : 08112010
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